Compound Visions

multiple exposures

composites

juxtapositions

 

Reception: Friday October 18, 5-8 pm
Santa Fe Railyard, Farmers Market Shade Structure


Exhibition: October 15- 20
visit axleart.com for times and locations

 

Alex Traube
Joan Zalenski
Audrey Derrell
Ahjo Sipowitcz
Kim Richardson
Meridel Rubenstein
Meggan Gould
Delilah Montoya
Lia Moldovan
Zoe Zimmerman
Anne Staveley
Jackie Mathey
William Clift

 

 

A group exhibition of photographic compositions that take advantage of multiple shots to make one piece.  In the past, this was largely double-exposures, but now can be made using digital composing techniques: two images side-by side, a grid of images, different photos merged in Photoshop to create a seamless composition, and more, photographic compositions using two or more images where the result is greater in meaning or aesthetics than the sum of the parts.

Meggan Gould.jpg

Meggan Gould.jpg

Ahjo K. Sipowicz #3_9x9.jpeg

Ahjo K. Sipowicz #3_9x9.jpeg

Ahjo K. Sipowicz #2_9x9.jpeg

Ahjo K. Sipowicz #2_9x9.jpeg

Ahjo K. Sipowicz #4_9x4.51.jpeg

Ahjo K. Sipowicz #4_9x4.51.jpeg

Audrey Derrell.png

Audrey Derrell.png

Anne Staveley EM7A3681-2.jpeg

Anne Staveley EM7A3681-2.jpeg

Anne Staveley IMG_6532-2.jpeg

Anne Staveley IMG_6532-2.jpeg

Anne Staveley IMG_8822-3.jpeg

Anne Staveley IMG_8822-3.jpeg

Alex_Traube_-Manuel_Gonzalez,_from_the_s

Alex_Traube_-Manuel_Gonzalez,_from_the_s

Jackie Mathey Back Door 8_x10_  Silver P

Jackie Mathey Back Door 8_x10_ Silver P

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Jackie_Mathey_Grateful_8”x10__Double_Exp

Kim Richardson Portrait Snow.jpg

Kim Richardson Portrait Snow.jpg

Delilah Montoya Casta13.jpeg

Delilah Montoya Casta13.jpeg

Joan Zalenski Line Drawing on Asphalt  1

Joan Zalenski Line Drawing on Asphalt 1

Lia Moldovan Bruges 8x10.jpg

Lia Moldovan Bruges 8x10.jpg

Meggan Gould-2.jpg

Meggan Gould-2.jpg

Pyroclastic-Remains.jpg

Pyroclastic-Remains.jpg

Zoe Zimmerman phoenix nest II.jpeg

Zoe Zimmerman phoenix nest II.jpeg

William Clift Spires at Mont St. Michel

William Clift Spires at Mont St. Michel

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Mt.-Bromo-from-above-Encircledjpg.jpg

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admin-ajax.php_.jpg

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Pyroclastic-Dance-Mt.-Merapi.jpg

Potato

an Axle Contemporary project

 

We provide potatoes, carving tools, some printing inks made from delicious colorful spices, and paper.  Participants carve potatoes and make block prints. We hang the prints in our mobile gallery and then cut up the potato blocks and add them to our pot of soup.  Make a block print and share in the soup

 

 

Prints are displayed at the Santa Fe Community Gallery in the 'Longer Table' exhibition. Exhibition continues through Jan 16, 2020

 

This project is a part of the Seed Broadcast  Seed: Climate Change Resilience exhibition at the Albuquerque Museum

 

What:
We roll up in our Axle Contemporary mobile artspace, and set up inside and out with tables, a hand-washing setup, potatoes, carving tools, paper and our custom blended edible inks made from colorful foods such as turmeric, beet juice, spirulina, and chile. Participants carve the potato like one would for a woodblock. Then they make several prints using our inks. One of each artist’s work is hung in the mobile artspace, and additional prints can be taken home. As each potato block is finished being used, we chop it up and add it to a boiling pot of potato soup. Soup is served to all people present. The entire activity is provided for free.
 
Why:
It’s an engaged experience, a physically embodied creative process that reaches out to people in unexpected ways. Our aim is to enhance playfulness, ease tensions, connect people with their neighbors at the table, and spark conversation and connection. This is important in today’s world. . The juxtaposition of the humble potato and act of art-making also breaks down barriers between high culture and human culture, and increases  people’s engagement in thinking and reflection in all parts of their lives.
 
The fleet, flexible, and mobile nature of our Axle Contemporary artspace breaks with the traditional physical and social space of the art gallery. It enhances a creative adaptable approach. POTATO encourages improvisation in art making. The playful act of carving potato blocks and printing with food-inks (playing with your food) is not “self-conscious” and encourages improvised art making for all. Improvisation works best when a defined set of parameters are laid out, and creators can explore creative and tangential thinking. POTATO provides a structure and allows the participants to freely improvise.

POTATO community Gallery sm.jpg
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E Pluribus Unum:New Mexico Southeast

an Axle Contemporary project

 

 

 

Western Heritage Museum, Hobbs

August 22 – November 3, 2019

opening reception and artist talk: 5:30 pm, August 22

 

Artesia, 510 Gallery

(Artesia portraits only)

opens August, 24, 2019

510 Main Street, Artesia, New Mexico

part of the Red Dirt Black Gold Festival

 

Roswell Museum & Art Center

November 16 –  April 22, 2020

Reception and artist talk, December 7

 

The portraits from our 2018 E Pluribus Unum project will exhibited in museum exhibitions this year.

 

E Pluribus Unum is Axle’s free mobile photo portrait studio. People sit for a portrait while holding a small personally significant object. Prints are distributed to the participants and wheat-pasted to the exterior of the studio-gallery. For each project, an image is created by overlaying all the portraits to create one face that includes equal portions of all the participants. Each project is published in its entirety as a book.

 

In October 2018, we spent the month on the road to create E Pluribus Unum: New Mexico Southeast in Roswell, Lovinton, Hobbs, Alamogordo, Tularosa, Carrizozo, Ruidoso, Mescalero, Artesia, Carlsbad, Portales, and Clovis.

 

The E Pluribus Unum: New Mexico Southeast book with all 950 portraits and one image on the cover blending all off the hundreds of portraits into one face, represents the entirety of the community of participants. The book is $20 and is now available at the exhibition venues and through Amazon here.

 

More information on this project here.

Wilderness Acts 2018

Art-in-Nature

 

Cannupa Hanska Luger & Ian Kuali’i 

Frederick Spaulding

Dana Chodzko

Munson Hunt

Rick Yoshimoto & Chrissie Orr

Susan Bruneni

Susannah Abbey

Paula Castillo

Brian Fleetwood

Gina Telcocci

Kathleen McCloud

 

with The Santa Fe Botanical Garden's

Leonora Curtin Wetland Preserve

 

September 1 – 23 in Axle

 

All of September and October at the wetlands preserve

 

Opening for both shows: at the wetlands preserve, Saturday,  Sept.1 , 1- 4 pm

Bouquet

Bouquet

Frederick Spaulding

Anemopsis

Anemopsis

Brian Fleetwood

Anemopsis

Anemopsis

Brian Fleetwood

Susannah Abbey

Susannah Abbey

Migrations: A Query

Susannah Abbey

Susannah Abbey

Migrations: A Query

Kathleen McCloud

Kathleen McCloud

Leave it to Beavers

Kathleen McCloud

Kathleen McCloud

Leave it to Beavers

Tethered 2018

Tethered 2018

Site Specific Land Acknowledgement, Healing Action and Indigenous Seed Dispersal, Cannupa Hanska Luger in Collaboration with Ian Kuali'i.

Tethered 2018

Tethered 2018

Site Specific Land Acknowledgement, Healing Action and Indigenous Seed Dispersal, Cannupa Hanska Luger in Collaboration with Ian Kuali'i.

Tethered 2018

Tethered 2018

Site Specific Land Acknowledgement, Healing Action and Indigenous Seed Dispersal, Cannupa Hanska Luger in Collaboration with Ian Kuali'i. Image credit: Dylan McLaughlin

Tethered 2018

Tethered 2018

Site Specific Land Acknowledgement, Healing Action and Indigenous Seed Dispersal, Cannupa Hanska Luger in Collaboration with Ian Kuali'i. Image credit: Dylan McLaughlin

Tethered 2018

Tethered 2018

Site Specific Land Acknowledgement, Healing Action and Indigenous Seed Dispersal, Cannupa Hanska Luger in Collaboration with Ian Kuali'i. Image credit: Dylan McLaughlin

Tethered 2018

Tethered 2018

artists on site, June, 2018

Tethered 2018

Tethered 2018

unfired clay and seed offerings

UP/ROOTED

UP/ROOTED

Rick Yoshimoto and Chrissie Orr

UP/ROOTED

UP/ROOTED

Rick Yoshimoto and Chrissie Orr

UP/ROOTED

UP/ROOTED

Rick Yoshimoto and Chrissie Orr

UP/ROOTED

UP/ROOTED

Rick Yoshimoto at work

Lovers and Friends

Lovers and Friends

Dana Chodzko

Lovers and Friends

Lovers and Friends

Dana Chodzko

Lovers and Friends

Lovers and Friends

Dana Chodzko

Lovers and Friends

Lovers and Friends

Dana Chodzko

Mudma

Mudma

Gina Telcocci

Mudma

Mudma

Gina Telcocci

Mudma

Mudma

Gina Telcocci

Mudma

Mudma

Gina Telcocci

Mudma

Mudma

Gina Telcocci

Reclamation (small) 1, 2 & 3

Reclamation (small) 1, 2 & 3

Munson Hunt

Reclamation (small) 1, 2 & 3

Reclamation (small) 1, 2 & 3

Munson Hunt

This pair of exhibitions explores the relationship between art and nature, creates awareness of our local natural resources, and promotes wetland and ecological conservation. The artists will create ephemeral sculptural artworks using natural materials in sites in the Leonora Curtin Wetland Preserve in La Cienega. Works will be on view at the preserve throughout the months of September and October. A companion exhibition of related works by the same artists will open in the Axle Contemporary mobile gallery on September 1 and continue through September 23. This is the third iteration of the Wilderness Acts Biennial, which began in 2014. Works in this exhibition include a small shelter constructed from "invasive" saplings, a day-long performance ritual of seed distribution, and beavers sculpted from mud.

The Santa Fe Botanical Garden's Leonora Curtin Wetland Preserve is a 35-acre nature preserve and home to a rare natural cienega (marsh) and hosts a bountiful diversity of plants and wildlife.

 

 

presented by Axle Contemporary and the Santa Fe Botanical Garden

 

 

  • DIRECTIONS: The preserve is located on the I-25 West Frontage Road south of Santa Fe. From I-25 take Exit 271 for “La Cienega” and turn right onto West Frontage Road heading north. The parking lot entrance is 1½ miles north after turning onto West Frontage Road. From New Mexico State Road 599 (NM-599), turn south onto West Frontage Road heading toward the Downs at Santa Fe Race Track. The parking lot entrance is two miles south of the Downs at Santa Fe Race Track.