about Rosemary Carroll:

Rosemary Carroll is a choreographer, multi-media artist, and oral historian and archivist. Her performance work has been shown at Grace Exhibition Space, Franklin Furnace, Judson Church, Brooklyn Arts Exchange (BAX), Green Space, Movement Research, and other proscenium stage and informal venues. Rosemary’s recent choreography CRISS CROSS MANIFESTO IN MOTION premiered at Wo/Manhouse 2022, a Judy Chicago project that ran for four months in Belen, NM. CRISS CROSS MANIFESTO IN MOTION explores themes of feminist art history, aesthetic manifestos, the American West, collectivism, and power dynamics among women. Rosemary has been a heavy equipment operator at the South Pole, Antarctica, and a journalist in Bishkek, Kyrgyzstan. Her Art and Psychedelics series has been shown at El Rey Court, the new Iconik Red, Mt. Tam Psilocybin Summit and David Luke and Maya Bracknell Watsons’s Last Tuesday Society in London. Her writing is published with Ignota Books, Ugly Duckling Presse, and the Poetry Project at St. Marks in the Bowery.  She is an editor and contributor to the dance magazine Contact Quarterly. She has documented oral history and performance archives for the American Dance Festival, Moving Image Preservation of Puget Sound, the Dance Heritage Coalition, and the Library of Congress. She holds degrees from the University of Wisconsin, Madison and the University of Seattle, WA.